Daniel Simon
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Alene Puterbaugh. Painting by Ed Kelley. In March 1972, in response to a letter from University of Oklahoma president Paul F. Sharp addressed to her late husband, Alene Puterbaugh wrote: “I wish to a…
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“In the United States . . . there is the obscure, slow effort of an entire nation to seize universal history and assimilate it as its patrimony.”—Jean-Paul Sartre, “Americans and Their Myths,…
- Zack Rogow and students from the Norman Public Schools | Fred Jones Jr. Museum of Art | April 2, 2015. Photos: Daniel Simon In a recent essay for WLT, Hungarian writer Zsolt Láng muses on wri…
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In a recent op-ed for Mother Jones, Ted Genoways laments the declining cultural influence of university-sponsored literary magazines, many of which have been faced with dwind…
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Graywolf Press, 2014 How much of a poet’s biography can be read into (or behind) a book of poems? In the case of Fanny Howe’s latest collection, Second Childhood, the temptation to project a…
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Literature and storytelling confirm us as relatives and neighbors in our infinite diversity. — Mia Couto, “Re-enchanting the World” In her nominating statement for the 2014 Neustadt Internat…
- [After 1989], I felt as though I had crawled out from under the debris of a mass collision of historical proportions, slightly scraped, yet a new man. – Durs Grünbein, “The Vocation…
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From our vantage point here on the Oklahoma plains, we’re constantly reminded that we live in “Native America” (every time we look at the license plate of a car in front of us), but few probably real…
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[Borges’s] Argentinians act out Parisian dramas, his Central European Jews are wise in the ways of the Amazon, his Babylonians are fluent in the paradigms of Babel. – Anthony Kerrig…
- When news broke yesterday about the death of Gabriel García Márquez, the entire staff of World Literature Today paused to reflect on the legacy of a writer who not only redrew t…
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When I first met Maaza Mengiste in May 2012 at a French Roast café in Manhattan’s West Village, I was in New York to attend the PEN World Voices Festival of International Literature. I had just gotten…
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While working on the “Classics Rekindled” section that appears in this issue (page 35), I was struck by the following words from Anne Carson: “Every time a poet writes a poem he is asking the…
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It is as if the world broke off. Why did it break off? Because the myth ended. – Anne Carson, preface to Grief Lessons: Four Plays by Euripides For those who subsc…
- Five years on from the Great Recession, WLT is proud to present an international sampling of working-class literature, guest-edited by Jeanetta Calhoun…
- Walter Neustadt Jr. (left) and Álvaro Mutis at the Neustadt banquet, University of Oklahoma, October 18, 2002 The editors and staff of World Literature Today were greatly sadden…
- Daniel Simon The themes of “Turning Thirty” have an archetypal feel to them—sickness, death, rebirth, forbidden love, truth, happiness, naming, freedom, madness, fear, solitude. Do y…
- When does a life bend toward freedom? grasp its direction? – Adrienne Rich, “Inscriptions,” 1991–95 In an essay on “The Homoerotics of Travel,” Ruth Vanita proposes mobility as a def…
- In an essay first published in these pages eighty years ago, Albert L. Guérard wonders whether there is an “intimate and inevitable connection between nationality and literature” (April 1933). While…
- Recent issues of WLT have featured Tahmima Anam (Bangladesh), Marina Carr (Ireland), and Julia Franck (Germany) on the cover. Two weeks ago, in a post on Words Without Borders, Alis…
- All the world’s a stage. – Shakespeare When I went to Boston in March to attend, for the first time, the annual Association of Writers & Writing Programs (AWP) conference, everything abo…
- Photo by Jonathan Stalling Two weeks ago, at the 2013 conference of the Association of Writers & Writing Programs in Boston, I spoke on the panel “Looking Out: American Journals on the World Stag…
- “It’s been said of Picasso that he studies an object like a surgeon dissects a corpse. We want no more of these embarrassing corpses, these objects. Light i…
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In Beauty Bright, Gerald Stern, W. W. Norton, 2012 In “Four Crises,” an essay in his 2012 collection Stealing History, Gerald Stern writes: “Humans, because of their minds, because o…
- Think of consciousness as a territory just opening to settlement and exploitation, something like an Oklahoma land rush. Put it in color, set it to music, frame it in images. . . . – Saul Be…
- In the spirit of the dead, the living, and the unborn, empty your ears of all impurities, o listener, that you may hear my story. - Ngũgĩ wa Thiong'o, Wizard of the Crow (2006) Article 6 of…